Filled with laughter, heart-ache and family—after five years of self-imposed exile, Paulo returns home for the funeral of one of his three sisters, but unfortunately he doesn’t know which one has died. New York Times called it "a touching mini-musical."

Inspired by the trash, tragedy and triumph found in the made-for-TV movies of women's television.  The Wall Street Journal called the finale "one of the best new comic songs to come along in ages."