
I'm so happy to be making my Broadway debut (as a composer) with Lucky Guy, starring Tom Hanks, which opened on April 1, 2013 (and is now extended through July)!
Curtis Moore is a composer, songwriter and musician whose work can be heard on the Broadway and international stage, T.V., film, and new media. His work has been performed at Playwrights Horizons, The Old Vic Theatre, Brooklyn Academy of Music, The Public Theater, and Lincoln Center.
Curtis recently composed the music for Nora Ephon's play Lucky Guy starring Tom Hanks. In collaboration with Thomas Mizer, lyricist, he was awarded the 2009 Jonathan Larson Grant. Together they have written the musicals Triangle (commissioned by Williamstown Theatre Festival, subsequently presented at the Eugene O’Neill Center and Theatreworks Palo Alto), The Legend Of Stagecoach Mary (National Alliance for Musical Theater), and The Bus To Buenos Aires (Ensemble Studio Theater, NY). Together, they teamed up with Amanda Green (Bring It On) and Matthew Brookshire on the critically acclaimed musical, For The Love Of Tiffany. Curtis also composed the score for Barry Edelstein's production of Timon of Athens at the Public Theater.
For film, Curtis and Matthew Brookshire wrote and performed songs for the Todd Solondz’ film Palindromes (Venice, Toronto, Telluride, New York film festivals.) Three of which were short-listed by Variety for the Academy of Motion Picture Arts and Sciences Best Original Song. Other film credits include composing for Industrial Light and Magic, MTV networks, production and orchestration for Disney’s Pocahontas II, the Miss America Pageant, and the CBS’ Rose Bowl Celebration.
As a producer and songwriter, Curtis continues to develop and collaborate with artists around the world. Manager Dave Lory, taken with Curtis’ song “Season For Saying Goodbye”, solicited material for his diverse roster of clients including Irish tenor Ronan Tynan and opera singer Shawna Stone. The latter of which Curtis subsequently developed and helped secure a recording contract with EMI/Angel Records. His song “Seattle” appeared on the album “Entity” from #1 Billboard dance artist, Kevin Aviance, receiving high praise from the music press. Other artists he has worked with include Wafah Dafour, Ari Gold, Sara Ramirez, and two American Idol finalists - *Dilia and Karen Rodriguez.
He recently returned from conducting and performing the music in The Bridge Project’s acclaimed world tour of Richard III, directed by Sam Mendes and starring Kevin Spacey. This concluded three years of work with The Bridge Project (a joint production of BAM and The Old Vic) as Mark Bennett’s associate composer and music supervisor for The Cherry Orchard, The Winter’s Tale, As You Like It, The Tempest, and Richard III. As orchestrator, he has also worked with Mark Bennett on The Coast of Utopia, as associate composer and orchestrator with Mel Marvin on Cymbeline, and as music director for Moisés Kaufman’s production of Into The Woods. Curtis has provided orchestrations for Striking 12, The Bubbly Black Girl Sheds Her Chameleon Skin, Saved, and the London revival of Pippin.
His new stage musical Venice, written with Matt Sax and Eric Rosen, premiered as a joint production between The Center Theater Group in Los Angeles and The Kansas City Rep with a production planned for 2013 at The Public Theater.
Awards include “Best Composer Award” at the ASCAP/NYU Film Scoring Workshop, “Garland Award” for best score, and multiple grants from the Eugene O’Neill Music Theater Conference. He is a graduate of Northwestern University and a founding member of the Northwestern University Entertainment Alliance.
Curtis is currently based in New York, NY and enjoys volunteering his time and talent to The Actors Fund, Broadway Cares/Equity Fights AIDS, and the Ali Forney Center.
“the year’s best musical” - Time Magazine; review of Venice
“Be A Little Less Stupid… is one of the best new comic songs to come along in ages.” - The Wall Street Journal; review of For The Love Of Tiffany

I'm so happy to be making my Broadway debut (as a composer) with Lucky Guy, starring Tom Hanks, which opened on April 1, 2013 (and is now extended through July)!
We're very excited to be part of the Johnny Mercer Writers Colony at Goodspeed Musicals this winter.
I was extremely honored to receive the Best Composer Award from the faculty and visiting artists at the NYU/ASCAP Foundation TV & Film Scoring Workshop this past spring. The panel, including Sean Callery (24, Bones, Homeland) NYU film composer-in-residence Ira Newborn (Naked Gun, Blues Brothers) and Mark Snow (X-Files, Blue Bloods), called my cue "inventive, professional and striking by virtue of a remarkably colorful orchestration."
Congratulations to Trickybox artist Dilia Jelen (www.diliamusica.com) for making it to “Hollywood Week” on American Idol!
Check out Dilia’s interview from American Idol.
Dilia’s debut singles (released as her dance-pop persona Chica D) are available on iTunes here and here.
Dilia is the second Trickybox artist to make it to Hollywood on American Idol. Our very own Karen Rodriguez was a top 12 finalist in season 10. We discovered Karen at LaGuardia High School of the Performing Arts, and she sang on our songs which were included in the Todd Solondz film Palindromes. 
Curtis Moore is very happy to have been asked back to be part of the third and final year of the Bridge Project, which opened to rave reviews at London's Old Vic Theater in July.
This production reunites Sam Mendes and Kevin Spacey for the first time since American Beauty, and marks Curtis' fifth Bridge production with Mendes and composer Mark Bennett, having previous collaborated on The Winter's Tale, The Cherry Orchard, As You Like It, and The Tempest.
Richard III played at BAM in January 2012, after a world tour in the fall of 2011.
Check out the video.
Venice, a musical collaboration between Eric Rosen, Matt Sax, and Trickybox Artist Curtis Moore, opened in Kansas city on April 18, 2010 to across the board Raves. Check out some of the reviews:
"Venice is [an] ambitious and expansive work, combining elements of Shakespeare, Greek tragedy, Brechtian allegory and dystopian political fable, all enhanced by rap narration and a melodic, rock-influenced score that is one of the most winning I have heard onstage in years."
Time Magazine, May 14, 2010
"Venice is hot. As is in: Emotionally hot. Musically hot. Star-quality hot."
Variety, October 18, 2010
"Venice, a sweaty amalgam of Shakespearean plotting, political allegory and hip-hop jam, is truly exciting at its frequent best."
Backstage, October 18, 2010
"it points the way to thrilling and remarkably fresh artistic directions for musical theater."
Kansas City Star, April 2010
"The production-heavy hip hop fused world premiere musical Venice thrills."
Lost In Reviews, April 2010
"Venice, the newest production at the Kansas City Repertory Theatre’s Copaken Stage, is a mashup of styles that works on so many levels."
KCFree Press, April 20, 2010
"It’s crude, raw, offensive, devastating … and completely brilliant."
The University News, April 26, 2010
"Venice is the quantum leap that has every potential to redraw the map of Kansas City theatre."
KCMetropolis.org, April 28, 2010
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